Geneviève MoreauGeneviève MoreauGeneviève MoreauGeneviève MoreauGeneviève MoreauGeneviève MoreauGeneviève MoreauGeneviève MoreauGeneviève MoreauGeneviève MoreauGeneviève MoreauGeneviève MoreauGeneviève MoreauGeneviève Moreau
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Geneviève Moreau holds a BA in Visual Arts at UQAM.
For Moreau, photography is a way to explore the relationships that exist between people and their environments. In particular, her work focuses on spaces centred on journeys and leisure, such as motels, parks, beaches, and stops along the way. These environments house many contradictions that Moreau’s work brings to light: comfort and in-comfort, vivacity and vacancy, full and empty. She is inspired by the lively colours, contrast, and symmetry inherent to the subjects of her work.
All her work is shot with analog camera and film. Geneviève Moreau holds a BA in Visual Arts at UQAM.
For Moreau, photography is a way to explore the relationships that exist between people and their environments. In particular, her work focuses on spaces centred on journeys and leisure, such as motels, parks, beaches, and stops along the way. These environments house many contradictions that Moreau’s work brings to light: comfort and in-comfort, vivacity and vacancy, full and empty. She is inspired by the lively colours, contrast, and symmetry inherent to the subjects of her work.
All her work is shot with analog camera and film. Geneviève Moreau holds a BA in Visual Arts at UQAM.
For Moreau, photography is a way to explore the relationships that exist between people and their environments. In particular, her work focuses on spaces centred on journeys and leisure, such as motels, parks, beaches, and stops along the way. These environments house many contradictions that Moreau’s work brings to light: comfort and in-comfort, vivacity and vacancy, full and empty. She is inspired by the lively colours, contrast, and symmetry inherent to the subjects of her work.
All her work is shot with analog camera and film. Geneviève Moreau holds a BA in Visual Arts at UQAM.
For Moreau, photography is a way to explore the relationships that exist between people and their environments. In particular, her work focuses on spaces centred on journeys and leisure, such as motels, parks, beaches, and stops along the way. These environments house many contradictions that Moreau’s work brings to light: comfort and in-comfort, vivacity and vacancy, full and empty. She is inspired by the lively colours, contrast, and symmetry inherent to the subjects of her work.
All her work is shot with analog camera and film. Geneviève Moreau holds a BA in Visual Arts at UQAM.
For Moreau, photography is a way to explore the relationships that exist between people and their environments. In particular, her work focuses on spaces centred on journeys and leisure, such as motels, parks, beaches, and stops along the way. These environments house many contradictions that Moreau’s work brings to light: comfort and in-comfort, vivacity and vacancy, full and empty. She is inspired by the lively colours, contrast, and symmetry inherent to the subjects of her work.
All her work is shot with analog camera and film. Geneviève Moreau holds a BA in Visual Arts at UQAM.
For Moreau, photography is a way to explore the relationships that exist between people and their environments. In particular, her work focuses on spaces centred on journeys and leisure, such as motels, parks, beaches, and stops along the way. These environments house many contradictions that Moreau’s work brings to light: comfort and in-comfort, vivacity and vacancy, full and empty. She is inspired by the lively colours, contrast, and symmetry inherent to the subjects of her work.
All her work is shot with analog camera and film. Geneviève Moreau holds a BA in Visual Arts at UQAM.
For Moreau, photography is a way to explore the relationships that exist between people and their environments. In particular, her work focuses on spaces centred on journeys and leisure, such as motels, parks, beaches, and stops along the way. These environments house many contradictions that Moreau’s work brings to light: comfort and in-comfort, vivacity and vacancy, full and empty. She is inspired by the lively colours, contrast, and symmetry inherent to the subjects of her work.
All her work is shot with analog camera and film. Geneviève Moreau holds a BA in Visual Arts at UQAM.
For Moreau, photography is a way to explore the relationships that exist between people and their environments. In particular, her work focuses on spaces centred on journeys and leisure, such as motels, parks, beaches, and stops along the way. These environments house many contradictions that Moreau’s work brings to light: comfort and in-comfort, vivacity and vacancy, full and empty. She is inspired by the lively colours, contrast, and symmetry inherent to the subjects of her work.
All her work is shot with analog camera and film. Geneviève Moreau holds a BA in Visual Arts at UQAM.
For Moreau, photography is a way to explore the relationships that exist between people and their environments. In particular, her work focuses on spaces centred on journeys and leisure, such as motels, parks, beaches, and stops along the way. These environments house many contradictions that Moreau’s work brings to light: comfort and in-comfort, vivacity and vacancy, full and empty. She is inspired by the lively colours, contrast, and symmetry inherent to the subjects of her work.
All her work is shot with analog camera and film. Geneviève Moreau holds a BA in Visual Arts at UQAM.
For Moreau, photography is a way to explore the relationships that exist between people and their environments. In particular, her work focuses on spaces centred on journeys and leisure, such as motels, parks, beaches, and stops along the way. These environments house many contradictions that Moreau’s work brings to light: comfort and in-comfort, vivacity and vacancy, full and empty. She is inspired by the lively colours, contrast, and symmetry inherent to the subjects of her work.
All her work is shot with analog camera and film. Geneviève Moreau holds a BA in Visual Arts at UQAM.
For Moreau, photography is a way to explore the relationships that exist between people and their environments. In particular, her work focuses on spaces centred on journeys and leisure, such as motels, parks, beaches, and stops along the way. These environments house many contradictions that Moreau’s work brings to light: comfort and in-comfort, vivacity and vacancy, full and empty. She is inspired by the lively colours, contrast, and symmetry inherent to the subjects of her work.
All her work is shot with analog camera and film. Geneviève Moreau holds a BA in Visual Arts at UQAM.
For Moreau, photography is a way to explore the relationships that exist between people and their environments. In particular, her work focuses on spaces centred on journeys and leisure, such as motels, parks, beaches, and stops along the way. These environments house many contradictions that Moreau’s work brings to light: comfort and in-comfort, vivacity and vacancy, full and empty. She is inspired by the lively colours, contrast, and symmetry inherent to the subjects of her work.
All her work is shot with analog camera and film. Geneviève Moreau holds a BA in Visual Arts at UQAM.
For Moreau, photography is a way to explore the relationships that exist between people and their environments. In particular, her work focuses on spaces centred on journeys and leisure, such as motels, parks, beaches, and stops along the way. These environments house many contradictions that Moreau’s work brings to light: comfort and in-comfort, vivacity and vacancy, full and empty. She is inspired by the lively colours, contrast, and symmetry inherent to the subjects of her work.
All her work is shot with analog camera and film. Geneviève Moreau holds a BA in Visual Arts at UQAM.
For Moreau, photography is a way to explore the relationships that exist between people and their environments. In particular, her work focuses on spaces centred on journeys and leisure, such as motels, parks, beaches, and stops along the way. These environments house many contradictions that Moreau’s work brings to light: comfort and in-comfort, vivacity and vacancy, full and empty. She is inspired by the lively colours, contrast, and symmetry inherent to the subjects of her work.
All her work is shot with analog camera and film.
