Centerfold — Jessica Sallay-Carrington

Jessica Sallay-CarringtonJessica Sallay-CarringtonJessica Sallay-CarringtonJessica Sallay-CarringtonJessica Sallay-CarringtonJessica Sallay-CarringtonJessica Sallay-CarringtonJessica Sallay-CarringtonJessica Sallay-CarringtonJessica Sallay-CarringtonJessica Sallay-CarringtonJessica Sallay-CarringtonJessica Sallay-CarringtonJessica Sallay-CarringtonJessica Sallay-CarringtonJessica Sallay-Carrington

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Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.Jessica Sallay-Carrington is a Vancouver, BC born artist who moved to Montreal, Quebec where she received her BFA in ceramics at Concordia University in 2014.
After completing her undergraduate degree, Sallay-Carrington continues to produce work in her studio, displaying her sculptures in various exhibitions.
Since 2013, she has traveled to Italy, Denmark, Greece as well as around Canada and America to attend ceramic residencies. Her inspirations derive from people who work for gender equality and women who show what it really means to “fight like a girl.”
Her work focuses on the representation of femininity and the role of gender and sexuality in modern society. Through ceramic sculptures she questions gender expectation and stereotype and how they influence personal identities. The animalistic qualities of the figures speak for the subconscious parts of human action, blurring the lines between human and animal. With her sculptures Sallay-Carrington aims to develop a revaluation of what defines the feminine in contemporary society.