Jordann MurrayJordann MurrayJordann MurrayJordann MurrayJordann MurrayJordann MurrayJordann MurrayJordann MurrayJordann MurrayJordann MurrayJordann Murray
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I am a self taught illustrator, with a keen eye on portraits. Throughout my work, my main focus is on natural shapes, movements and expressions of the body and face. My inspiration is sparked with the task of trying to grasp and capture contours, facial features and organic lines. In keeping with this, I focus not only on the lines that I see but also on negative spaces, highlighting both the shapes that meet the eye and the ones that are lurking behind the corner. In this way, I want my work to be interactive in the sense of leaving negative space; the blankness of the paper, allowing my audience to fill in that space with their own imagination. Though my artistic philosophy is to never limit yourself by hiding behind one particular style or medium, a constant in my work is my use of pastels and a quirky-psychedelic-like presentation of humans.I am a self taught illustrator, with a keen eye on portraits. Throughout my work, my main focus is on natural shapes, movements and expressions of the body and face. My inspiration is sparked with the task of trying to grasp and capture contours, facial features and organic lines. In keeping with this, I focus not only on the lines that I see but also on negative spaces, highlighting both the shapes that meet the eye and the ones that are lurking behind the corner. In this way, I want my work to be interactive in the sense of leaving negative space; the blankness of the paper, allowing my audience to fill in that space with their own imagination. Though my artistic philosophy is to never limit yourself by hiding behind one particular style or medium, a constant in my work is my use of pastels and a quirky-psychedelic-like presentation of humans.I am a self taught illustrator, with a keen eye on portraits. Throughout my work, my main focus is on natural shapes, movements and expressions of the body and face. My inspiration is sparked with the task of trying to grasp and capture contours, facial features and organic lines. In keeping with this, I focus not only on the lines that I see but also on negative spaces, highlighting both the shapes that meet the eye and the ones that are lurking behind the corner. In this way, I want my work to be interactive in the sense of leaving negative space; the blankness of the paper, allowing my audience to fill in that space with their own imagination. Though my artistic philosophy is to never limit yourself by hiding behind one particular style or medium, a constant in my work is my use of pastels and a quirky-psychedelic-like presentation of humans.I am a self taught illustrator, with a keen eye on portraits. Throughout my work, my main focus is on natural shapes, movements and expressions of the body and face. My inspiration is sparked with the task of trying to grasp and capture contours, facial features and organic lines. In keeping with this, I focus not only on the lines that I see but also on negative spaces, highlighting both the shapes that meet the eye and the ones that are lurking behind the corner. In this way, I want my work to be interactive in the sense of leaving negative space; the blankness of the paper, allowing my audience to fill in that space with their own imagination. Though my artistic philosophy is to never limit yourself by hiding behind one particular style or medium, a constant in my work is my use of pastels and a quirky-psychedelic-like presentation of humans.I am a self taught illustrator, with a keen eye on portraits. Throughout my work, my main focus is on natural shapes, movements and expressions of the body and face. My inspiration is sparked with the task of trying to grasp and capture contours, facial features and organic lines. In keeping with this, I focus not only on the lines that I see but also on negative spaces, highlighting both the shapes that meet the eye and the ones that are lurking behind the corner. In this way, I want my work to be interactive in the sense of leaving negative space; the blankness of the paper, allowing my audience to fill in that space with their own imagination. Though my artistic philosophy is to never limit yourself by hiding behind one particular style or medium, a constant in my work is my use of pastels and a quirky-psychedelic-like presentation of humans.I am a self taught illustrator, with a keen eye on portraits. Throughout my work, my main focus is on natural shapes, movements and expressions of the body and face. My inspiration is sparked with the task of trying to grasp and capture contours, facial features and organic lines. In keeping with this, I focus not only on the lines that I see but also on negative spaces, highlighting both the shapes that meet the eye and the ones that are lurking behind the corner. In this way, I want my work to be interactive in the sense of leaving negative space; the blankness of the paper, allowing my audience to fill in that space with their own imagination. Though my artistic philosophy is to never limit yourself by hiding behind one particular style or medium, a constant in my work is my use of pastels and a quirky-psychedelic-like presentation of humans.I am a self taught illustrator, with a keen eye on portraits. Throughout my work, my main focus is on natural shapes, movements and expressions of the body and face. My inspiration is sparked with the task of trying to grasp and capture contours, facial features and organic lines. In keeping with this, I focus not only on the lines that I see but also on negative spaces, highlighting both the shapes that meet the eye and the ones that are lurking behind the corner. In this way, I want my work to be interactive in the sense of leaving negative space; the blankness of the paper, allowing my audience to fill in that space with their own imagination. Though my artistic philosophy is to never limit yourself by hiding behind one particular style or medium, a constant in my work is my use of pastels and a quirky-psychedelic-like presentation of humans.I am a self taught illustrator, with a keen eye on portraits. Throughout my work, my main focus is on natural shapes, movements and expressions of the body and face. My inspiration is sparked with the task of trying to grasp and capture contours, facial features and organic lines. In keeping with this, I focus not only on the lines that I see but also on negative spaces, highlighting both the shapes that meet the eye and the ones that are lurking behind the corner. In this way, I want my work to be interactive in the sense of leaving negative space; the blankness of the paper, allowing my audience to fill in that space with their own imagination. Though my artistic philosophy is to never limit yourself by hiding behind one particular style or medium, a constant in my work is my use of pastels and a quirky-psychedelic-like presentation of humans.I am a self taught illustrator, with a keen eye on portraits. Throughout my work, my main focus is on natural shapes, movements and expressions of the body and face. My inspiration is sparked with the task of trying to grasp and capture contours, facial features and organic lines. In keeping with this, I focus not only on the lines that I see but also on negative spaces, highlighting both the shapes that meet the eye and the ones that are lurking behind the corner. In this way, I want my work to be interactive in the sense of leaving negative space; the blankness of the paper, allowing my audience to fill in that space with their own imagination. Though my artistic philosophy is to never limit yourself by hiding behind one particular style or medium, a constant in my work is my use of pastels and a quirky-psychedelic-like presentation of humans.I am a self taught illustrator, with a keen eye on portraits. Throughout my work, my main focus is on natural shapes, movements and expressions of the body and face. My inspiration is sparked with the task of trying to grasp and capture contours, facial features and organic lines. In keeping with this, I focus not only on the lines that I see but also on negative spaces, highlighting both the shapes that meet the eye and the ones that are lurking behind the corner. In this way, I want my work to be interactive in the sense of leaving negative space; the blankness of the paper, allowing my audience to fill in that space with their own imagination. Though my artistic philosophy is to never limit yourself by hiding behind one particular style or medium, a constant in my work is my use of pastels and a quirky-psychedelic-like presentation of humans.I am a self taught illustrator, with a keen eye on portraits. Throughout my work, my main focus is on natural shapes, movements and expressions of the body and face. My inspiration is sparked with the task of trying to grasp and capture contours, facial features and organic lines. In keeping with this, I focus not only on the lines that I see but also on negative spaces, highlighting both the shapes that meet the eye and the ones that are lurking behind the corner. In this way, I want my work to be interactive in the sense of leaving negative space; the blankness of the paper, allowing my audience to fill in that space with their own imagination. Though my artistic philosophy is to never limit yourself by hiding behind one particular style or medium, a constant in my work is my use of pastels and a quirky-psychedelic-like presentation of humans.
